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The Early Years
"My brothers and I traveled with the Johnny Cash show in the early
60s, after we left Marty. We didn't work with Cash very long, but did
do some exciting venues: Steel Pier in Atlantic City, The Cave (a
nightclub in Vancouver, B.C., and even Carnegie Hall in New York
City." |
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Photo from Country Music Magazine |
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"The Glaser Brothers helped find musicians for the gig and we had
several rehearsals for the show at her house. She also had some
special material written for the show, which she and I auditioned at
the writer's office (Gene Nash)."
"Our stay there was over the Christmas/New Year's holidays, and we
worked every day for six weeks. A few weeks after the end of that
engagement, Patsy was killed in the plane crash. The Glaser Brothers
went back to Vegas and the Mint Lounge 2 or 3 times after that." |
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"Tompall and the Glaser Brothers" went on to record some albums for Starday from 1960-1963. Because Tompall was the only one of us that actually signed the contract with Decca Records, I was free to sign for the albums on Starday. I sang lead on many of the songs, and the ensuing albums were released using my name Later on, Starday sold the masters to other secondary labels for re-packaging under different names. I first recorded as a solo artist on Ric Records under the name Gordon Mitchell in 1964, then Monument (1965-1967, produced by Ray Stevens), RCA (1968-1969, produced by Danny Davis, of 'Nashville Brass' fame), MGM in the mid-seventies (produced by Allen Reynolds, [who produced Don Williams, Crystal Gayle and many others]) also Dick Glasser [who produced the later Gary Puckett & the Union Gap hits]) and MCA in the late seventies, (produced by the legendary Owen Bradley, (who produced everyone who was on Decca in those days) before ending up on Noble Vision with producer Don Tolle." |
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"Jim Glaser, from the tenor in a trio, to songwriter, a music publisher and recording artist in his own right." Source: "High Roller at the Table", written by Patrick Carr |
Photo from insert, Jim's album, "The Man In The Mirror" |
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Jim's biggest successes came in the
early 1980's, when he joined Noble
Vision Records. It was at the
beginning of this period that his solo
career took off with distinctive
pop-country hits, "When You're Not A
Lady", his first release from the
album, "The Man In the Mirror" and
later, "You Got Me Running". Songs
reaching the top ten featured on the
same album, were, "If I Could Only
Dance With You", "Man In the Mirror",
"Let Me Down Easy", and "You're Gettin'
To Me Again", which became Number 1.
Also on the charts were, "I'll Be Your
Fool Tonight", on a later album, "Past
The Point Of No Return" and "The
Lights Of Albuquerque" from the album,
"Everybody Knows I'm Yours'. The
latter still receives raves from Jim's
fans and has gained respect from a lot
of new listeners who happen to hear
it. Jim is an animal lover and has given home to several dogs and cats, all rescues. His latest addition is a sweet calico cat, "Maggie", who found him in December, 2003. Her 'bio' as well as those of Jim's pets in the last decade, appears on his Pet's Page. I am in the hopes of getting a bio and picture of Jane's little dog to add to it. |
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