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Song Selection-"If I Could Only Dance With You" from Jim's album,"The Man In The Mirror"
Click "Play" to start music.  Click here for lyrics.

"Every now and then, you meet someone who tells you they're going to do something, tells you their dream, and you believe them."

Jim Glaser


(source:)  "High Roller at the Table"
written by Patrick Carr

Photo at left, Source-Country Rhythms Magazine, sent by Terry Denton.

 

In the late 70's, Jim was presented with an opportunity to go on tour to perform in the country music clubs in England, using their band. He says that not much effort went into the preparation of the show as the band there could not know any of his original material. Taking with him the only ammunition he had, a hastily written list of about sixteen songs, (standards well known), he surprisingly found eager audiences waiting to hear him sing and unconditionally, loving it.  He  returned later and again, found the same welcome reception.

At the suggestion of a close associate, Jim sent a tape of his material to Don Tolle, in Atlanta, who was to later become his producer. "Every now and then, you meet someone who tells you they're going to do something, tells you their dream, and you believe them.", Jim says of Don Tolle, who had enough drive and enthusiasm for both of them to engage in the partnership that led to the production of three albums on an independent record label, the first making it's debut in the early 80's.

Jim with Don Tolle, circa: Early 80's

Links below go to pages containing the track listings and title songs to each album as sung by Jim.

"The Man In The Mirror" (1983)
"Past The Point Of No Return"
(1984)
"Everybody Knows I'm Yours" ( 1985)

Many  details are left unsaid of Jim's preparation for this goal, but one priority remained true.  Previously being a recording artist and having 'been there, done that', Jim never forgot the necessity of mental and physical discipline. This time was no different.  Shoving a few years of apathy behind him, he  plunged into a well thought out program of physical fitness and soul searching. Ironically, his routine appearances in Nashville clubs now became the best practice needed.  It came in the form of the many nights that he and a  long time friend, Paul Gauvin, who eventually became his band leader, performed together as a team during Happy Hour, with a vocal monitor at his feet. This was said to be the best training.